When an unstretched canvas arrives at our studio, it represents both an artwork and a responsibility. These works are often shipped rolled for practical reasons, but before they can be safely displayed, they need to be carefully brought into a stable, finished form. Our role is to guide that transition while protecting the integrity of the painting.
Before any stretching begins, we examine the artwork closely. We look beyond the image itself to assess the canvas edges, paint thickness, and overall condition. Heavily textured surfaces, thin or brittle paint layers, or tight margins all influence how the canvas will be handled. In some cases, additional support or protection is added to ensure the artwork remains stable during stretching and over time.
Stretching is tailored to each piece. Stretcher bars are selected or built to match the artwork’s dimensions and weight, using stable, kiln-dried wood. The canvas is stretched gradually and evenly, applying tension in a balanced way so the surface sits smooth without being overstressed. The aim is a canvas that is secure but not rigid—one that can naturally respond to environmental changes without distortion.
Once stretched, the canvas is checked for alignment and squareness. Fine adjustments are made to ensure the image sits true, and expandable corner keys are added so tension can be adjusted in the future if needed. This allows the artwork to be maintained rather than permanently fixed.
Framing is the final stage. Whether the choice is a traditional frame or a contemporary floater, the frame is selected to support and protect the painting, not compete with it. The finished piece is fitted, wired, and prepared for hanging, ready for display in a home, gallery, or collection.
By the time the work leaves our studio, the transformation is complete. What arrived as a rolled canvas is now a stable, framed artwork, prepared to be viewed as intended and to remain secure for years to come.
